Ексклюзив
20
хв

Iryna Danylevska: «Prosthetics on the catwalk - not a fashion trend, but our new reality. And we are ready to live like this»

A necklace in the shape of a circle of charred wheat ears - as a reminder of Ukrainian wheat that feeds many countries worldwide. A jacket sewn from ties, now unnecessary for Ukrainian men as they are at the frontline. «Designers know how to speak about war to strike at the heart», - says the head and co-founder of the Ukrainian Fashion Week, which took place in Kyiv in September for the first time since the war began

Oksana Goncharuk

Iryna Danylevska. Photo: Lesha Lich/vogue.ua

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Ruslan Baginskiy hats on Madonna, Guzema jewellery in the series «Emily in Paris», Beyoncé and Jennifer Lopez in dresses by Ivan Frolov, Heidi Klum in an outfit by Lesia Verlingieri on the red carpet in Cannes… The Western world’s interest in Ukrainian brands is growing, and Ukrainians are being invited to participate in global fashion weeks. In September - for the first time during the war - a fashion week was held in Kyiv - Ukrainian Fashion Week (UFW).

After two and a half years of forced absence in Ukraine, it returned to support the Ukrainian fashion industry and amplify Ukraine's voice globally. Over four days, sixty-one brands, including ten new names, presented their vision for the spring-summer 2025 season. Yet, in the context of war, the collections shown were less about fashion and more about resilience and revival. Today, we can say that this fashion week is a historic event for Ukraine.

«People want to live, work and be effective», explains UFW co-founder and head of the organising committee Iryna Danylevska. Sestry spoke with Iryna about the social dimension of fashion and poignant designer statements at UFW 2025, as well as about 2.5 years of Ukrainian fashion abroad.

Young designer Aliona Prodan and her new collection

«The world must understand: if all talented Ukrainians are killed, it will be impoverished»

Oksana Goncharuk: Returning to Ukraine after two and a half years of working abroad - a difficult decision…

Iryna Danylevska: Over these two and a half years, we organised twenty-nine runway events in London, Berlin, Budapest, Lisbon, Vienna, Copenhagen, thereby supporting the Ukrainian fashion industry. But fashion brands are not the entire industry, so we - despite all risks - returned home.

We set three goals: to support the industry and Ukrainians, to demonstrate the need to be effective for the country during the war, and to ensure that Ukraine continues to resonate globally.

Not only the appeals of our politicians, not only reports on destroyed homes and civilian deaths should continuously circulate worldwide. Instead, we wanted to show Ukraine as a country of not only courageous but also talented people. So that those who, somewhere abroad, view photos from UFW held in Kyiv during wartime, come to understand: if all these talented people here are killed, the world will be impoverished.

- How many countries have seen our fashion during the war?

- Since the start of the war, we have held shows in 12 countries. These were exclusively official events such as fashion weeks or major international exhibitions.

It was a revelation for us that global fashion, which is considered a highly competitive environment, was ready for solidarity

They did not just lend us their catwalks but created special conditions, understanding how difficult it is for Ukrainian brands to survive during the war. London, Budapest, Berlin, Lisbon, Los Angeles - everywhere we had comfortable conditions for shows. Some provided free venues, some paid for models, some - like Berlin Fashion Week - could, with state support, invite our young designers and cover their tickets and accommodation. This was powerful support for which we are sincerely grateful.

Ukrainian designers Ksenia Schnaider, Nadya Dzyak, Elena Reva at London Fashion Week in 2023. Photo: Scott Garfitt/Invision/East News

- Where did the first Ukrainian show during the war take place?

- In Malta, in the summer of 2022. Designer Nadiya Dzyak participated in Malta Fashion Week. Models walked the runway with yellow and blue scarves, and our wheat-and-sky flag was displayed on the backdrop. The organisers also requested that we record a video message explaining events in Ukraine, which they played repeatedly.

- Did any state institutions ever offer you assistance?

- Everything was on our initiative and personal connections.

However, when we needed male designers to travel to London or Copenhagen, we sought help from the Ministry of Culture and Information Policy. We are very grateful to USAID (the United States Agency for International Development, which provides non-military aid - Edit.), which implements the «Competitive Economy of Ukraine» programme. Thanks to grants from the fund, we held five events.

Fashion Created in Bomb Shelters

- How did you personally react to the start of the war before realising action was necessary?

- I awoke immediately. Only a week had passed since the full-scale invasion, and we were already writing letters to all global fashion organisations, proposing six effective steps to support Ukraine. We advised hiring Ukrainians from the fashion sector who had found themselves abroad, avoiding collaboration with Russian models or brands. We asked employees of large fashion corporations to write letters to their leaders to encourage them to help Ukraine. We also provided several specific addresses for assistance - verified charitable foundations.

In March, the initiative Support Ukrainian Fashion (SUF) was born. We sent 16 letters, informing colleagues that Ukrainian fashion brands were on the verge of survival. We immediately received 12 responses with offers of support and acceptance. Among the first to respond were Copenhagen, Berlin, Budapest, Bucharest and Vienna.

- Did you consider leaving the country with your family?

- No, because we knew we could be useful at home. Our entire family made this decision. I focused on fashion brands, our daughter Dana, a professional psychotherapist, continued her practice. My husband, Volodymyr Nechiporuk (UFW's general producer - Edit.), who has volunteered and helped wounded soldiers since 2014, immediately chose this path. We divided tasks to be as effective as possible.

At the start of the war, we did send our grandchildren to relatives in the Ternopil region, but they returned after two months. Since then, we have all lived together in a house near Kyiv. When there are attacks and it becomes dangerous, we hide in the garage, which is buried on three sides and serves as a shelter.

Iryna Danylevska with her husband Volodymyr Nechiporuk, daughter and grandchildren. Photo: private archive

- How does the Ukrainian Fashion Week team work on its messages? How should we speak to the world today to be heard?

- That is a very good question, as we must constantly think about what we want to convey. Over the two and a half years of war and four fashion seasons, we have adjusted these messages multiple times.

For example, in early 2023, we needed the world's support and donations. At London Fashion Week, we held a joint show of collections created during the war by three Ukrainian brands (KSENIASCHNAIDER, PASKAL and FROLOV). At the end of the show, the designers appeared with a Ukrainian flag bearing the UNITED24 logo (a fundraising platform collecting aid for Ukraine worldwide - Edit.).

In 2023, before each show, we wrote letters to guests instead of releases, explaining that the collections they were about to see were created amid the sounds of alarms, during explosions and blackouts…

So that everyone understood that the collections were made by brave and resilient people.

Later, when talk began of the need to «negotiate», we added to our messages that we are being killed simply because we want to be Ukrainians in an independent state.

It is important to always bridge the emotional with the official to convey that we must win this war - otherwise, it will keep repeating, as Russia will not allow us to be free.

This season, we held shows in Budapest, Berlin and Copenhagen. Copenhagen Fashion Week is about sustainability, environmental awareness and sustainable development. The Danes respond strongly to issues of ecology and nature preservation. When we discussed with designers what message to convey to the guests, we came up with the idea of telling them about our Askania-Nova biosphere reserve. Okay, you care about nature preservation - then look at how Europe's largest steppe reserve is being destroyed in plain sight, literally obliterated by the Russians.

To tell the story of Askania-Nova, we chose Ukrainian vytynanka - one of the most vivid traditional forms of our craft. Imagine: the entire second floor of the Ukrainian House in Denmark was filled with vytynanky depicting zebras, herons, other animals and birds, as well as plants from the reserve. It was against this backdrop that the new collections were presented.

- How impactful are your messages?

- We have not broken the system, but we have contributed to helping Europeans and Americans understand what is really happening.

The power of culture is in its constant, emotional and sincere expression. People need to encounter reminders everywhere: Ukrainians are fighting for freedom, for the right to be Ukrainian. Some are born with the right to be free, while Ukrainians must fight for this right.

«War drives us to fulfil old dreams, as it is uncertain if there will be a tomorrow»

- You mentioned that the fashion industry froze at the start of the war. How is it today?

- The market froze, not the industry. In 2022, Ukrainian designers simply shifted their production to military needs, began sewing for the army, which suddenly grew due to volunteers. Every sphere suffers during war, but most designer brands have survived - thanks to our support, the move towards exports and an increase in online sales.

There are phenomena that were born during the war. Antonina Belinska, a talented movie costume designer, had always dreamed of her own clothing brand.

After overcoming the initial shock of the war, she finally dared to make this dream a reality and created the brand TONiA. To me, this is a poignant story about how the uncertainty of tomorrow pushes us to fulfil our dreams today.

- Are Ukrainian designers involved in creating military uniforms, particularly for women?

- The Veteranka sewing workshop creates winter, demi-season and summer military uniforms. In two years, this workshop has produced 1291 units of women’s tactical clothing.

Since the start of the large-scale war, Veteranka has received hundreds of requests from female soldiers asking for adjustments to the men’s uniforms they were issued. Therefore, the workshop focused on sewing high-quality women's military uniforms, which are provided free of charge to female defenders upon request.

Viktor Anisimov’s VIKTORANISIMOV collection

- When you decided that UFW would happen, were the designers ready to accept this challenge?

- We began discussing fashion week in Ukraine as early as November 2023. Even then, designers started writing and calling me.

On the very first day, we announced that applications were open, 25 were submitted. This only strengthened our belief that such an event was necessary right now. However, we took a long time to make an official announcement, which we did only once preparations were in full swing.

We spent considerable time figuring out how to ensure everyone could go to the shelter during air raids and return to the shows afterwards without completely disrupting the schedule. We thought about holding the event not at Mystetskyi Arsenal, but directly in a shelter. However, Mystetskyi Arsenal won, as it is a reliable building with a shelter for 800 people.

Of course, we were also concerned about power outages, so we secured our operations with two generators.

- How many air raid alerts occurred during Fashion Week?

- It is a miracle, but there was not a single alert at that time. They happened between the first and second days of the event, and a journalist from British Vogue, who was brave enough to come to Ukraine for the event, wrote in his article that instead of an opening party, UFW had alerts and explosions.

- The art installation showcasing our designers' responses to the war received significant resonance...

- These are 18 artworks that designers created as reflections on the war. For example, Bevza's necklace, which resembles a circle of charred wheat stalks - a symbolic reminder of Ukrainian wheat that feeds many countries worldwide. Or Ksenia Schnaider's jacket, sewn from ties that Ukrainian men no longer need, as they are at the frontline. Another example is a jacket that designer Maria Starchak created right after the Mariupol tragedy - it is embroidered with the theatre bombed by the Russians, with the word «ДЕТИ» (from Russian - children) on the bottom.

From OMELIA, there is a shirt with flowers. One might wonder, what does it have to do with the war? Designer Kostyantyn Omelia said that when he returned to his studio in 2022 after forced evacuation, he saw dried flowers in vases that left a strong impression on him.

Art installation with designers' reflections on the war

- How has the war manifested in new collections?

- Designers know how to speak about the war in a way that chills to the bone. For instance, in the shows of brands Andreas Moskin, Gasanova and Nadya Dzyak, our veterans appeared on the runway with prosthetics, conveying more about our reality and the war than any military-style clothing could.

- Guests gave standing ovations to the veterans on the runway. I was personally struck by ballroom dance champion Kateryna Stashchyshak, who professionally danced in peacetime, but the war took her leg. How challenging is it for such people to walk the runway?

- This is also about courage. They did it to show our Ukrainian life. Inclusivity is not a trend, it is our new reality, and we are ready to live this way. We respect and bow to these people. They will never be separated from the processes taking place in the country. They should not sit at home alone with their pain.

Ukrainian ballroom dance champion Kateryna Stashchyshchak at the Nadya Dzyak show
FROLOV collection «Ivasyk-Telesyk»
Backstage at Ukrainian Fashion Week SS25. Photo by Serhiy Khandusenko
Nadya Dzyak presented the Chromatic collection, inspired by the Pink Lakes in southern Ukraine and the breathtaking views of the Kinburn Spit (currently occupied by the Russians)
Wozianov's collection titled In Apocalypse about modern Kyiv, characterised by the combination of war and creativity
Backstage of the Andreas Moskin show

Photos: UFW

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Ukrainian journalist, singer and composer (music came first and still is a part of her life). She began her journalism career by writing for the music magazine «Galas». For many years, she worked as a cultural columnist for the newspaper «KP in Ukraine» and also had experience as the editor-in-chief of the «Atelier» magazine. In recent years, she was a music critic for the publication Vesti.ua, and with the start of the full-scale war, she found her niche as a journalist in the genre of social reporting.

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LGBT Ukrainians Germany Berlin war

«Rainbow» symbolism for the enemy is a signal for humiliation, mockery, violence and murder»

- Before the full-scale invasion, I was a co-founder and director of the organisation «Insha» in Kherson, - says Maryna Usmanova. - Since 2014, it has been protecting the rights of women and LGBT community representatives. We organised informative events, training sessions for police and local authorities and advocated for the opening of a shelter for victims of domestic violence.

Maryna Usmanova. Photo: FB
During the occupation, we evacuated people from the Kherson region. We managed to evacuate over 300 people: LGBT community representatives, activists, journalists and military wives. Those for whom staying meant death

The charity organisation «Insha» and the team of the NGO «Projector» jointly documented war crimes against LGBT+ individuals on the then-occupied and later liberated territory of the Kherson region. Instances of brutal abuse by Russian soldiers were recorded. «Rainbow» symbols on phones or tattoos were signals for humiliation, mockery, violence and murder.

According to the NGO «Projector» report, Russian soldiers deliberately sought out LGBT community members. For example, there is evidence that Russian soldiers forced men to undress, checked smartphones for same-sex dating apps and severely beat them for it. Aleksandr was detained at a checkpoint by Russian soldiers, pushed into their van and taken to a temporary detention facility just because he was part of the LGBT+ community. He was beaten initially in the facility. Then a red dress was brought, and he was forced to wear it. In this dress, he was taken to an interrogation with an FSB officer. Aleksandr’s answers displeased the Russians, so he was added to a list and kept under arrest. According to him, being on this list «allowed» the guards to beat him, torture him with electric shocks, force him to eat the Ukrainian flag and more. Sexual violence was common in the facility. Medical care was not provided, detainees were fed once a day, and access to a shower was granted only to those who «deserved» it. To get permission for a shower, guards forced detainees into sexual acts. Aleksandr was held captive for 64 days. He was released but ordered to sing the Russian anthem every morning for ten days in a row while being watched from another building with binoculars to ensure compliance.

And there are countless such examples.

- Now the «Insha» organisation is still active, and part of the community still lives in Kherson, - continues Maryna Usmanova. - For instance, we received a grant for an initiative to provide the city with bicycles. Kherson currently has problems with public transport, and walking around the city is unsafe. So we purchased bicycles, brought them to Kherson and distributed them to those in need. Another initiative of ours is the evacuation of art objects. We managed to save many valuable exhibits.

But staying in Kherson was far too dangerous for me, and I had to leave. In the city, I was a public activist. I was invited to appear on television and radio. At the same time, the registered address of our organisation was effectively my home. It was not difficult to find me as an LGBT activist. Moreover, before the full-scale invasion, an advocacy campaign for the crisis centre was conducted, and billboards featuring, among others, my face were displayed throughout the city. If you googled «Kherson LGBT», the system would provide plenty of information about me.

As I later learned, they were looking for me. So, if I had not left, I probably would not be speaking with you now.

«Everyone needs their own community. Especially Ukrainians at this time»

- We ended up in Berlin «via Australia». In the sense that a Kherson activist we knew, who had moved to Australia long ago, helped us find people in Berlin willing to assist us.

We were housed in an anarchist commune. There were seven of us, plus a cat and a Malamute dog. All of us lived in one room for eight months. But it was far from the worst option, and we are very grateful. Anarchists are saints (laughs, - Edit.).

Once we adapted, we began meeting with other activists. One day, along with Loki von Dorn, we decided that we wanted to establish our own organisation.

Now, the Kwitne Queer community comprises over 100 people. We are the only organisation for queer Ukrainians in Western Europe. We meet approximately once a week to discuss plans, organise discussions, lectures, mutual support groups, play «Mafia» and celebrate holidays together. Everyone needs their own community, especially Ukrainians at this time.

The Kwitne Queer team consists of five people: Kyrylo Kozakov, Maryna Usmanova, Loki von Dorn, Hala Korniienko and Mariyana Polevikova. All of them are in Berlin due to the war. Private archive

After all, you might come to a supposedly friendly place, and then you are confronted with unfriendly questions about politics as a Ukrainian: «Why is your Zelensky fighting with Russia?» And often, these questions are not from Russians but from people from Kazakhstan or Azerbaijan. It is clear that after such questions, it is difficult to consider such a community your own.

One of our important projects is «Your Friendly Interpreter». Each of us occasionally needs to visit doctors, government institutions, job centres and so on. However, Ukrainians still largely do not know German. How then can one explain to a gynaecologist, for example, that despite someone having a beard, they have female reproductive organs? There are many issues where it is impossible to be effective without an interpreter.

In Germany, there are charity foundations that provide free interpreters, such as the «Caritas» organisation. But. First of all, it is a religious organisation. Secondly, they mostly provide Ukrainians with Russian interpreters. Because there are many of them. And you cannot choose your own interpreter because it is a free service.

Imagine a transgender person going to a gynaecologist accompanied by a homophobic, Ukrainophobic elderly woman interpreter. I once went to a therapist in the company of just such a person. She told me that «all Ukrainians are Banderites» and so on, following the well-known Russian narratives

That is why we came up with a solution: a person goes to the doctor, calls our Ukrainian interpreter via Telegram from there, and they translate on speakerphone. We already have five specialists, and experience shows that this option is much more comfortable than what local charity foundations offer. This service is very popular with us.

One of my dreams and goals is to have my own shelter or social apartment - a queer hostel. Berlin has a huge housing problem. From time to time, people find themselves on the streets. They need a safe place to get through difficult times or a gap between housing contracts.

Mayor of Berlin Kai Wegner (centre, in a white shirt and jeans) and Ukrainian Ambassador to Germany Oleksii Makeiev at the CSD Pride. Photo: genderstream.org

Every year, we participate in the Berlin Pride, one of the largest in Europe. Ukrainian Ambassador to Germany Oleksii Makeiev joins the Ukrainian column, delivers a speech, and last year, the Mayor of Berlin Kai Wegner spoke from our float.

Does Berlin have problems with homophobia? At the legislative level, everything is excellent. But on the level of personal communication - not always. Germans have already learned that homophobia is bad, that it makes you appear at least uneducated. But in Berlin, Germans have long been less than half the population. Many people from other countries bring their homophobia with them.

«I chose Berlin because I felt safe here»

Another co-founder of Kwitne Queer, Loki von Dorn, a non-binary person, human rights advocate, activist and actor, shares:

- Even before the full-scale invasion, I broke my leg - and the fracture was quite serious, with fragments. When the war began, because of my leg, I could not join the Territorial Defence or even a volunteer headquarters - they would not take me. In March, I finally had surgery, and an implant was placed to fix the bone. Fighter jets were flying over the city of Dnipro at that time. I lay there thinking I would not even have time to hide if the Russians started bombing.

At the end of May, I decided to leave. I went to Germany because I had many acquaintances there, although, in the end, it was new acquaintances who helped me. I chose Berlin because it is the most welcoming to queer people. Here I felt safe. Berlin reminds me of my favourite cities in Ukraine: a bit of Dnipro, a bit of Odesa, and a bit of Kyiv.

Loki von Dorn: «In Germany, there is a voice for everyone. Unfortunately, that includes Russians too. That is why it is important to have our Ukrainian community». Private archive

I had no money, did not know the language, and the documents took a long time to process. My housing was only for a month. In six months, I changed the roof over my head eight times. Sometimes I slept on the floor. Despite this, I adapted quickly and immediately started looking for activities.

It is hard for creative professionals to find work in Berlin. Because here, every other person is an «artist». You are not competitive here due to the vast number of people like you

As a professional activist, I sought opportunities primarily in this direction. I had known Maryna Usmanova from Ukraine. In Berlin, I attended events she organised for the Ukrainian queer community. And one day at the end of 2022, we decided to create an organisation for Ukrainians who found themselves here because of the war.

In February 2023, we began the process of registering Kwitne Queer. We wrote the charter, submitted the documents, and only in August 2024 did we receive official non-profit organisation status. Until then, we worked as volunteers. Registering your non-profit organisation in Germany is not easy at all. For example, we are still waiting for our account to be set up, without which we cannot receive grants or spend grant money.

Our main mission is to support equal opportunities and inclusion for queer Ukrainians in Germany, facilitating their interaction. We all need support. Because sometimes you cannot predict the criterion by which you will be discriminated against: whether for being queer, a refugee or Ukrainian.

Recently, we were formally accepted into the Alliance of Ukrainian Organisations. Interestingly, the Ukrainian Orthodox Church is among the members of this alliance. They were not against it. Along with other organisations in the Alliance, we share a space where we can host our events.

At the time of this article's publication, the Kwitne Queer organisation officially opened an account in a German bank, received a grant from one of Berlin's district centres, and launched an official website. So, new initiatives lie ahead.

20
хв

«Free translators for Ukrainians in Germany - most of them are homophobic Russians. We decided to protect the queer community»

Kseniya Minchuk

Про смерть Світлани Олешко повідомив у Фейсбуці письменник Сергій Жадан.

Журналіст та громадський активіст Євген Клімакін зазначив, що прощання з режисеркою відбудеться 23 грудня о 12.00 у Варшаві.

«Не стало Світлани... Людини, яка створила Teatr 'Arabesky'/ Театр "Арабески", привносила в театр поезію, повставала проти штучного і заскорузлого, розповідала про Шевельова і Юру Зойфера, про наших закатованих і репресованих. Людини, яка втілювала Харків і була частиною його серця», — написала Тетяна Терен, журналістка, виконавча директорка Українського ПЕН.

«Талановита, харизматична, світла, вона була джерелом натхнення для багатьох з нас. Своєю енергією та добром Світлана змінювала світ навколо себе, несучи любов, підтримку й силу кожному, хто її знав», — пише у своєму пості лідерка ініціативи Євромайдан-Варшава Наталка Панченко.

Після початку повномасштабного вторгнення Світлана Олешко переїхала до Польщі, де працювала у Польському театрі ім. А. Шифмана у Варшаві.

<span class="teaser"><img src="https://cdn.prod.website-files.com/64ae8bc0e4312cd55033950d/6512974ff15ba88aec92030f_Yuliia_Natalia_Svitlana_Fot.Tymofii%20Klubenko-male.jpg">Мої три сестри. Ми зараз у різних країнах, але хочемо знову всі разом жити у Харкові</span>

Наприкінці березня цього року у Варшаві відбулась прем’єра вистави Світлани Олешко «Харків, Харків». Вистава створена у формі мюзиклу та розповідає про діяльність театру «Березіль» та його засновника Леся Курбаса. Текст до вистави спеціально написав Сергій Жадан. «Це дуже харківська історія про те, як театр “Березіль” приїжджає до Харкова з Києва і що власне з ним стається потім, — розповідала Світлана Олешко. — Сергій Жадан дотримується історичної правди. Майже. Тільки ми змінили фінал. Ми подумали, що досить вбивати наших митців і ми залишили Курбаса жити і вручили йому Оскар».

У січні цього ж року в Польському театрі імені Арнольда Шифмана режисерка організувала читання антології «Війна 2022». До книги увійшли твори 42 українських авторів, написані після 24 лютого 2022 року.

Фото: Tymofii Klubenko

Світлані Олешко був 51 рік. Вона двічі була заміжня. Першим чоловіком режисерки був письменник Сергій Жадан. Другий — лідер гурту «Мертвий півень» Місько Барбара, який помер у 2021 року.

Світлана Олешко – засновниця, директорка і режисерка театру «Арабески». Проходила стажування в Польському інституті театру. З 1993 по 2019 рік працювала науковим співробітником Літературного музею в Харкові. Світлана Олешко є ініціаторкою створення Театрального інституту в Харкові. Найвідоміші постановки – «Декалог: локальна світова війна», «Червоний Елвіс», «Чорнобиль™ », «РадіоШансон: Вісім історій про Юру Зойфера».

Світлана Олешко від початку заснування онлай-медіа Sestry.eu була його авторкою, робила інтерв'ю з видатними постатями сучасності. Вся редакція Sestry висловлює свої співчуття рідним та друзям Світлани Олешко.

20
хв

Померла режисерка Світлана Олешко

Sestry

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