«Almost half a thousand seamstresses worked on my sketches for Dior», - Olesia Trofymenko, the artist who conquered Paris

After photographer Evgeniy Maloletka, videographer Mstyslav Chernov and fixer Vasylysa Stepanenko managed to escape the Russian-encircled Mariupol in mid-March 2022, their footage from the first 20 days of the occupation caused a massive global reaction.

Today, Evgeniy Maloletka holds more international and national awards than any other Ukrainian photographer - around 40. Notably, he is a Pulitzer Prize laureate for Public Service, a recipient of the James Foley Award for Conflict Reporting, and the Shevchenko and Georgiy Gongadze national prizes. He also won an Oscar for the documentary «20 Days in Mariupol». We spoke with Evgeniy about the feelings of futility when facing human indifference, the people who helped him escape from occupation, his ambitions to make it into history books and the strategies he uses to avoid burnout.

«Camera does not protect you»

Kseniya Minchuk: How did you start photographing the war?

Evgeniy Maloletka: Although I have a degree in electronic devices and systems engineering, photography captivated me during my student years. I worked for several editorial offices. In 2010, I went to cover the protests in Belarus. After that, I documented both sides of our revolution: the protests for and against Yanukovych, and then Maidan. I worked in conflict zones around the world, including various UN missions in Africa. Eventually, I found myself on the train that brought me to the war.

I am originally from Berdyansk. When I looked at the map and saw Russia intensifying its actions, I realised that a full-scale war was inevitable. And when you understand that something terrible, like war, is about to happen, you ask yourself: «Where do I want to be, and what do I want to do? Where do I need to be to make that happen?» Although when that «terrible» thing arrives, plans can break. But at the very least, you should be technically prepared, which is what I did.

From there, the most important thing is your knowledge and your ability to adapt quickly. The more you know and the faster you react, the more you can accomplish.

- One of the most heart-wrenching photos by Evgeniy Maloletka, and of the war in general, is the series from Mariupol where young parents rush to the hospital with their injured baby, only to learn that the child has died. It is unimaginably devastating. How do you cope with the pain you witness and capture with your camera? Is photography itself a method?

- Definitely not. The camera does not protect you. You keep looking at these people in the photos and you go through it with them. The faces of the parents, and later the doctors - you see the hope fade from their eyes... and that pain never leaves you, it stays with you forever. I live with it. Constantly. I had to learn how to coexist with it.

The footage from «20 Days in Mariupol» - is the pain that will stay with me for the rest of my life. I saw it live. I have rewatched the film many times, and now I do not cry anymore. But inside, the emotions are still incredibly heavy and intense.

For me, every photo of the war is the most terrifying. They are like flashbacks, like a dream. Like something that happened to someone else. But no - it happened to me.

I am constantly confronted with grief. I have to edit, show it to the world, look at the photos of other photographers. Human bodies, destroyed buildings, lives taken. These emotions are overwhelming. And there is still so much more horror I will have to capture.

Sometimes the things you did not capture are more terrifying

What keeps me going is the awareness that I am doing a small, yet important job. Hoping that it is not in vain. That the world will see it, remember it, because every photograph represents a human story. And it is crucial that we ourselves do not forget our own history. That is why I keep doing it.

- You have documented the protests against Yanukovych that led to his removal, the pandemic and now the war. Do you see your work as an important mission?

- Sometimes it is disappointing when photos get little attention. But other times, a story I captured goes viral. The more you work and the more your photos are seen and elicit a reaction, the stronger the sense that it is not in vain.

At least, I hope it is not.

I understand that only the things we remember will remain in history

We will remember people’s stories through the photos and videos that moved us. Only a small part of what has happened during this war will make it into history.

I hope the work we are doing will end up in books and textbooks so future generations can learn what our people went through and understand what war really is.

- Do you feel any satisfaction from what you do?

- That is a tough question. Yes and no. Because I photograph horrifying things that people do not want to see. And you force them to look. People, especially outside Ukraine, in Europe for example, mostly want to see positive things. Even here, we tend to think like that. If the strike hit the house next door and not ours - thank God! But in that neighbouring house, people died...

- Have there been moments when you could not bring yourself to photograph what was happening?

- Of course. There were times when I put the camera down and helped because no one else was around. If you see that you can help in some way, you do it.

«We went through 16 Russian checkpoints, and they let us through each one»

- You arrived in Mariupol an hour before the war started. Did you understand what you were getting into?

- Yes. It is impossible to predict every detail, but Mstyslav Chernov, Vasylysa Stepanenko and I knew that the city would likely be encircled. We went to Mariupol deliberately, to be surrounded. Consciously.

Of course, it was terrifying. We travelled at night, and it was eerily quiet and tense. We prepared for various scenarios and even joked that we were heading to the city that would become one of the starting points of World War III...

- How often were you under fire in Mariupol?

- Constantly. I would wake up in the morning at the hotel and go outside to film the building across the street because it had just been destroyed. There was no need to travel anywhere.

- You worked without electricity, water, the internet, and under constant danger. What decisions saved your lives?

- We were lucky in many ways, but some specific decisions and people truly saved our lives. There were tough moments when we barely escaped from areas that the occupiers had already surrounded.

For a while, we lived in a hospital that sheltered us. We became friends with the doctors, sleeping in the corridors where everyone had moved to avoid the shelling, and when necessary, we helped carry stretchers with the wounded. Then the building next to us was taken by the Russians. Tanks rolled out onto the streets. Their forces advanced, and aircraft were deployed. Street fighting raged around the hospital, and we were inside. Then our military came for us and said, «Pack up, we are running». And we ran with them. That saved us.

Another instance was when we finally got out of the encircled area, but I lost my car - it was destroyed. A police officer named Volodymyr offered to drive us out of Mariupol. He risked his life and the lives of his family to take us in his car, even though we had met just two days earlier.

His car was shot up, the windows were gone, but it was still drivable. He, his wife, and their child took the three of us (myself, Vasylysa, and Mstyslav) into their vehicle. And that is how we got out.

- Vasylysa told me this story, and I still can not grasp how you managed to pull it off…

- We passed through 15 or 16 Russian checkpoints, and at each one, they let us through. The occupiers had only just begun implementing their filtration process. Perhaps it helped that we did not take the same route as others. The truth is, you never know exactly what saved you. But if the Russians had found the footage we shot or realised we were Ukrainian journalists, we all would have suffered - us, and Volodymyr with his family.

One warrior does not make a battle

- There is a concept known as «survivor’s guilt», a feeling often experienced by those who fled the war and went abroad. Did you feel something similar when you escaped Mariupol?

- We thought about why we could not stay longer, especially because we did not capture the events at the drama theatre, where so many people died... But the fact that we survived at all - that is a miracle.

- Vasylysa mentioned her fear of going to Mariupol, and that your and Mstyslav’s confidence inspired her. Is it easier to work in a team or alone?

- There is a saying, «One warrior does not make a battle». I am convinced of that. In difficult circumstances, you need to be with people you trust, who are on the same wavelength as you.

If, God forbid, you get injured, you need to have your people by your side, who know what to do. Mstyslav had significant experience working in war zones, and I had some experience in our own war.

In the summer of 2021, I took a course in first aid. I already knew how to apply tourniquets and do other essential things, but refreshing those skills is critical when you live in a country at war. Life taught me how to act during shellings.

Vasylysa and I started working together about a month before the full-scale invasion. Before Mariupol, we actually tried to talk her out of going. But she made her choice because she wanted to be with us. She took the risk. She is brave.

- Who inspires you?

- Mstyslav, Vasylysa and I inspire each other. But above all, I am inspired by our people.

Ukrainians are incredibly strong. They have suffered so much from the war, but they do not give up. I often see soldiers who have been wounded but have not lost their immense life potential and energy. For example, there is a soldier who underwent about 60 surgeries and had both limbs amputated. He says: «It’s nothing. I have my whole life ahead of me». He is undergoing rehabilitation and can now walk up the stairs by himself. His goal is to «get his two kids on their feet». How can you not be inspired by that?

My grandmother worked until she was 82, until her last day. She was an engineer and had been disabled since childhood due to polio. Despite having a severe disability, she went to work every day. It was hard for her to climb to the third floor, but she did it. She always said that you can not just sit or lie down, that you have to keep moving. After the full-scale invasion began, my parents had to leave their home and became internally displaced. But my father did not fall into depression or anything like that. Even at over 60, he continues to work.

I do not want to sound pretentious, but what is the point of life if you are only doing everything for yourself? I realise that in war, it is those who care who show up. And I never want to stop caring

For me, it is important not to stand aside. To take part in something that matters.

It is also crucial not to burn out. We are in the middle of a long marathon, and we need to maintain the pace to make it to the end - without losing strength or the sense of why we are doing it.

- But how? What helps you with that?

- It is a difficult period right now. I try not only to photograph but also to help my colleagues, especially young talented photographers, develop. That inspires me too.

- Are there any photographs that make you feel joyful and happy?

- Of course. I love taking pictures of my son. Watching him grow, mature and just seeing how cool he is.

- What can each of us do to help achieve victory?

- We should all do what we do best. Every day. How else? Some people fight, some make drones, others protest abroad, and we do journalism. It all matters. Every action. Every person.

One warm evening, my love for music brought me to the Kyiv Spring Sounds Festival at the National Philharmonic in Kyiv. They would lure people in with Chopin and the name of the American pianist Kevin Kenner, who is considered one of the best performers of Chopin’s pieces today. At one time, a famous Polish conductor Stanisław Skrowaczewski, who worked with one and only Arthur Rubinstein, stated that Kevin Kenner’s interpretations of Chopin were the most expressive ones he had ever heard…

«Ukraine has its own identity and culture that have to be protected»

Kevin Kenner has been supporting Ukraine since the start of the full-scale invasion. He came from America to Kyiv for a concert with his wife, a Polish violinist Katarzyna Cieślik, for a single performance. The musician couple did it on their own initiative and at their own expense. For Kyiv to hear Kenner’s interpretation of Chopin’s concerto №1 for piano and orchestra, the musicians had put all their business aside and covered the distance of half the globe.

- For me, everything going on in your country today is a kind of cultural genocide, and I simply can’t and don’t want to tolerate this, - Kevin Kenner told Sestry after the first movement of the concert.

- Before 2022, I probably couldn’t have named even three Ukrainian composers. I had never heard of Lyatoshynsky, or for example, Kosenko before - and these are outstanding artists.

Their work has become a wonderful discovery for me, and now I am happy to promote this music worldwide. It enriches us and proclaims very clearly that Ukraine has its own identity and culture that have to be protected.

After these words, the pianist excused himself and hurried onto the stage, where, during the concert’s second movement, the orchestra of the National Philharmonic of Ukraine was playing Borys Lyatoshynsky (a suite from the music for Shakespeare’s «Romeo and Juliet» tragedy).

But before that, Kevin Kenner suddenly approached the microphone and announced that he wanted to present a close person for him to the audience. A small delicate brunette went up the stage and illuminated the visitors with he smile.

- Meet Yulia, - the American introduced the woman, - she is a Ukrainian, a meeting with whom was gifted to me by the war. And today, she and her children are a part of my family…

In February 2022, right after the Russian invasion of Ukraine, Kevin and his wife, Polish violinist Katarzyna Cieślik, decided to shelter a Ukrainian family at their apartment in Krakow’s centre. Kevin asked his colleague - a Ukrainian pianist, to help him find a family that needed shelter. As a result, the musician’s apartment in Krakow became inhabited by a poet, writer and journalist Yulia Berezhko-Kaminska, who miraculously managed to leave Bucha with her son and daughter alive.

- My wife and I wanted to make the lives of people who became hostages of terrifying events a little bit easier, - Kenner explained. - There are things that we do because we feel like it. Only later did we find out that Yulia was a poet and a writer - a genuine treasure of the Ukrainian culture.

He got to know Yulia personally in half a year after lending her the keys to his home. And then their roads became interlinked - both in life and art. Apart from the previously mentioned concert in Kyiv, he and Yulia Berezhko-Kaminska performed several music and literature concerts in Poland supporting Ukraine. One of them took place in Warsaw, in the Royal Castle. Yulia read her poetry on stage, and Kevin played his favourite music by Chopin and the Ukrainian composers, whom he had discovered thanks to her.

- Our rescue from Bucha and relocation to Krakow were like a moment of miracle for me, - Yulia Berezhko-Kaminska shares with the Sestry. - At the beginning of the invasion, there were such intense fights around us in Bucha that the rumbling of gunshots rarely stopped. There was no electricity, water or gas. At some point, we discovered that they were organising a «green corridor». I remember hesitating for a long time since we had been receiving information that people who left in convoys were getting shot.

On March 15th, my daughter left our hideout. We were all hiding in a cellar together, and then her friends started trying to get us out of that hell in their car. They had one free seat left, and my already adult daughter decided to go. But they got stuck for 5 whole days on the Yablunska street - the «road of death», where most of the cars with people trying to leave were shot up. I had no way to contact my daughter. At first, she stayed with her friends at a house with broken windows, and then they decided to break through. They were letting cars through one at a time. And the cars that came after my daughter’s were shot up…

Me and my son left separately. It was a lottery, I still hesitated and asked God to send me a dream with an answer on how to go on. And then I dreamed of standing at a railway station in Kyiv almost naked and barefoot in the winter’s cold with many people around. And because of this feeling of distress and of being so unsettled and helpless I woke up.

And I thought - no, we will stay, this is our home, and we have a supply of food and matches. But a neighbour came by later and told us that we had 5 minutes to decide whether we were going or not. And my son convinced me. This was the right decision as later my neighbours told me that the occupants had been going from house to house and asking about me.

After escaping Bucha, I was hit by a wave of despair. Where do we go? What do we do?

And then I pleaded: «God, just walk me on your roads the way it’s supposed to be, and bring me together with people I’m supposed to be with»

I wrote on Facebook about my problem. Offers came pouring in - me and my children were invited to France, Italy, Germany… Later, one of the musicians from Kyiv I knew asked me: «Do you want to go to Krakow?» I intuitively answered «Yes». Everything immediately started to fall into place, and unfamiliar people opened the doors of their wonderful apartment in the centre of Krakow to us. They were in America at the time, but they were not afraid of letting strangers into their Polish home.

Kevin and his wife became our guardian angels. When we finally met, they took us for a vacation. They rented a house out in the nature, and we spent over a week together talking. We spent time outside in the fresh air, played games, laughed and organised a concert there with Kevin. Thanks to our friendship, he began discovering Ukrainian music and then sharing his discoveries with his students (Kevin Kenner teaches at Frost School of Music at the University of Miami - Author). He also started performing in a Vyshyvanka (traditional Ukrainian shirt) I gifted him.

The visit of the American pianist and his wife to Ukraine is the fulfilment of Kevin’s promise to Yulia. He promised to visit Kyiv despite the war and play for the Ukrainian people, and also visit Bucha to see the place from which the refugees came to him in Krakow.

- I told Kevin and Kasia a lot about Bucha, and they dreamed of seeing my garden, our house, my library and the books I had been working on. And they fulfilled their promise, though this visit was hard to arrange as musicians of their level have their schedules planned down to the last minute.

They arrived a day before the concert. Before the visit, I asked Kevin what he would like to taste from Ukrainian cuisine.

Kevin ordered borshch and ate two whole plates. And after we had returned from our tour of Bucha, he asked for borshch again

Kevin also visited Vorzel’ and its «Uvarovsky House» Museum of History and Culture (where Borys Lyatoshynsky’s memorial exposition is located - Author) and even played Lyatoshynsky on the museum piano, paying respects to his favourite composer.

Kevin Kenner confessed that the situation with the war in Ukraine has forced him to become a «soldier of music», as Rostropovich said, and to fight Russian aggression and disinformation.

- I have stopped performing Russian music since the beginning of these terrible events, - Kevin Kenner says. - I also encouraged my students and the musicians I know to replace the pieces of Russian composers in their repertoire with Ukrainian works, which most pianists had never even heard of. Among others, I urged them to pay attention to Viktor Kosenko’s works, whose formidable level makes them worthy to perform worldwide. I think that this is a great opportunity to prove to everyone that Ukrainian music is not inferior, it speaks for itself louder than any words.

My interest in Ukraine was stirred up by Putin’s assertions of Ukraine not being a legitimate state and that Ukrainian language and culture are supposedly nothing more than shades of much clearer Russian language and culture. These statements have caused a scandal in the world discourse, made me very suspicious and sparked my interest towards learning Ukrainian history and culture.

I supported the decision of the International Music Federation to suspend the International Tchaikovsky Competition. Because it is wrong - applauding the Russian musicians, exalting the Russian music culture, and simultaneously expressing our concern about Russia trying to commit cultural genocide on its neighbour.

«In Poland, I’ve experienced a turning point: I had outlived the old but had not found the new within»

Yulia Berezhko-Kaminska returned home a year after her evacuation from Bucha but she confesses she still dreams about «her» home in Krakow.

- I had been getting used to the bed for so long over there until I bought the same pillow I had at home - before sleep I needed to imagine for at least a moment that I was in my room. And after returning to Bucha, I couldn’t come to my senses for a week: I was thinking of Krakow the whole time. It is now my hometown as well.

Shortly afterwards, the house in Krakow, where Yulia and her children had found shelter, became a centre of Ukrainian culture.

- Kevin and Kasia gave us the opportunity to not just live but to invite Ukrainians over and arrange music and poetry evenings, - the heroine reminisces. - That house has a rather spacious hall with two grand pianos. A month after our relocation to Krakow we began giving concerts and streaming them on Facebook.

I have also written an essay called «Communion»: how we, Ukrainians, having found ourselves in such a difficult life situation, returned to our normal lives thanks to these musical evenings. For a long time, we were afraid to live, drink wine, or even taste candy since we thought it would be a crime against people in Mariupol, who had nothing to eat. Poetry and music pulled us out of this.

Yulia says that there, in the Krakow apartment, she had been born for the second time:

- My «Gravitation of the Word» book was brought to me in Krakow - I sent it into print two days before the war. The book was first presented in Poland but I felt a certain turning point in my art, as if I had outlived the old but had not found the new within. Alongside this, my personal life has also changed- I got divorced during the war, and when I left Ukraine, I met my 40s. It is a turning point for a woman to realise that you are not the way you were before - but what are you now?

In Krakow, Yulia could not write for a while, but then essays began to be born as if ice was melting from her soul.

In her first essay «Krakow - Bucha» Tram» the woman described her experience and outlined the moments from her return home where the garden would blossom, a dog would jump and a cat would meow from the tree, the animals she had not seen for over a year (they remained with her ex-husband in Ukraine). She visualised how she would run into her room, walk through the whole house, and meet her old life:

- We came back exactly when the garden blossomed, - Yulia smiles. - And the tram that would rumble outside my windows in Krakow (it took a couple of months to get used to the fact that it was the rumbling from the tram, not the war) - I imagined I could get onto it and it would take me home. And when Kevin and Kasia appeared at my doorstep in Bucha, I told them so: «Well, the tram from Krakow to Bucha has arrived!»

Over the year in Poland, Yulia Kaminska-Berezhko has created several books. The idea behind «The Rhyme War», which included poetry from over 80 Ukrainian poets, was born in Krakow, where it was compiled, wrapped up and presented in May 2024 in Kyiv. The «Ukrainians in Poland: A Rescue Story» book was prepared for print in Krakow, Yulia cooperated with the Institute of Literature of Poland while creating the book. Berezhko has already managed to create a new book with the same institution called «Reflections on the Most Important» - translations of radio performances of modern Polish authors to Ukrainian, made in her edition. Yulia has many cultural plans regarding Poland. After all, someone has to build these cultural bridges between us.

- Today I feel colossally thankful to life. After all I’ve been through, I realise that life - is a big miracle, - Yulia concludes. - And I’m also thankful to Kevin and Kasia, who essentially have given me faith in people and that the good must win.

Photos from the private archive of heroes