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American pianist, Ukrainian poet and Polish violinist: an incredible story of friendship

Only in half a year did Kevin Kenner, one of the most expressive performers of Chopin’s works, and his wife get acquainted with the woman who had been escaping the war all this time in their apartment in Krakow. This meeting has influenced the American musician greatly. He refused to play pieces by Russian composers and started playing Ukrainian music worldwide, and also - he came to Bucha. Sestry explain the reasons behind his visit

Oksana Goncharuk

Kevin Kenner, Yulia Berezhko-Kaminska and her son in Warsaw. Photo from a private archive

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One warm evening, my love for music brought me to the Kyiv Spring Sounds Festival at the National Philharmonic in Kyiv. They would lure people in with Chopin and the name of the American pianist Kevin Kenner, who is considered one of the best performers of Chopin’s pieces today. At one time, a famous Polish conductor Stanisław Skrowaczewski, who worked with one and only Arthur Rubinstein, stated that Kevin Kenner’s interpretations of Chopin were the most expressive ones he had ever heard…

«Ukraine has its own identity and culture that have to be protected»

Kevin Kenner has been supporting Ukraine since the start of the full-scale invasion. He came from America to Kyiv for a concert with his wife, a Polish violinist Katarzyna Cieślik, for a single performance. The musician couple did it on their own initiative and at their own expense. For Kyiv to hear Kenner’s interpretation of Chopin’s concerto №1 for piano and orchestra, the musicians had put all their business aside and covered the distance of half the globe.

Kevin Kenner

- For me, everything going on in your country today is a kind of cultural genocide, and I simply can’t and don’t want to tolerate this, - Kevin Kenner told Sestry after the first movement of the concert.

- Before 2022, I probably couldn’t have named even three Ukrainian composers. I had never heard of Lyatoshynsky, or for example, Kosenko before - and these are outstanding artists.

Their work has become a wonderful discovery for me, and now I am happy to promote this music worldwide. It enriches us and proclaims very clearly that Ukraine has its own identity and culture that have to be protected.

After these words, the pianist excused himself and hurried onto the stage, where, during the concert’s second movement, the orchestra of the National Philharmonic of Ukraine was playing Borys Lyatoshynsky (a suite from the music for Shakespeare’s «Romeo and Juliet» tragedy).

But before that, Kevin Kenner suddenly approached the microphone and announced that he wanted to present a close person for him to the audience. A small delicate brunette went up the stage and illuminated the visitors with he smile.

- Meet Yulia, - the American introduced the woman, - she is a Ukrainian, a meeting with whom was gifted to me by the war. And today, she and her children are a part of my family…

Yulia and Kevin in Kyiv Philharmonic, 2024

In February 2022, right after the Russian invasion of Ukraine, Kevin and his wife, Polish violinist Katarzyna Cieślik, decided to shelter a Ukrainian family at their apartment in Krakow’s centre. Kevin asked his colleague - a Ukrainian pianist, to help him find a family that needed shelter. As a result, the musician’s apartment in Krakow became inhabited by a poet, writer and journalist Yulia Berezhko-Kaminska, who miraculously managed to leave Bucha with her son and daughter alive.

- My wife and I wanted to make the lives of people who became hostages of terrifying events a little bit easier, - Kenner explained. - There are things that we do because we feel like it. Only later did we find out that Yulia was a poet and a writer - a genuine treasure of the Ukrainian culture.

He got to know Yulia personally in half a year after lending her the keys to his home. And then their roads became interlinked - both in life and art. Apart from the previously mentioned concert in Kyiv, he and Yulia Berezhko-Kaminska performed several music and literature concerts in Poland supporting Ukraine. One of them took place in Warsaw, in the Royal Castle. Yulia read her poetry on stage, and Kevin played his favourite music by Chopin and the Ukrainian composers, whom he had discovered thanks to her.

- Our rescue from Bucha and relocation to Krakow were like a moment of miracle for me, - Yulia Berezhko-Kaminska shares with the Sestry. - At the beginning of the invasion, there were such intense fights around us in Bucha that the rumbling of gunshots rarely stopped. There was no electricity, water or gas. At some point, we discovered that they were organising a «green corridor». I remember hesitating for a long time since we had been receiving information that people who left in convoys were getting shot.

On March 15th, my daughter left our hideout. We were all hiding in a cellar together, and then her friends started trying to get us out of that hell in their car. They had one free seat left, and my already adult daughter decided to go. But they got stuck for 5 whole days on the Yablunska street - the «road of death», where most of the cars with people trying to leave were shot up. I had no way to contact my daughter. At first, she stayed with her friends at a house with broken windows, and then they decided to break through. They were letting cars through one at a time. And the cars that came after my daughter’s were shot up…

Yulia reading a poem in a bomb shelter during shellings in Bucha, 2022

Me and my son left separately. It was a lottery, I still hesitated and asked God to send me a dream with an answer on how to go on. And then I dreamed of standing at a railway station in Kyiv almost naked and barefoot in the winter’s cold with many people around. And because of this feeling of distress and of being so unsettled and helpless I woke up.

And I thought - no, we will stay, this is our home, and we have a supply of food and matches. But a neighbour came by later and told us that we had 5 minutes to decide whether we were going or not. And my son convinced me. This was the right decision as later my neighbours told me that the occupants had been going from house to house and asking about me.

After escaping Bucha, I was hit by a wave of despair. Where do we go? What do we do?

And then I pleaded: «God, just walk me on your roads the way it’s supposed to be, and bring me together with people I’m supposed to be with»

I wrote on Facebook about my problem. Offers came pouring in - me and my children were invited to France, Italy, Germany… Later, one of the musicians from Kyiv I knew asked me: «Do you want to go to Krakow?» I intuitively answered «Yes». Everything immediately started to fall into place, and unfamiliar people opened the doors of their wonderful apartment in the centre of Krakow to us. They were in America at the time, but they were not afraid of letting strangers into their Polish home.

Kevin and his wife became our guardian angels. When we finally met, they took us for a vacation. They rented a house out in the nature, and we spent over a week together talking. We spent time outside in the fresh air, played games, laughed and organised a concert there with Kevin. Thanks to our friendship, he began discovering Ukrainian music and then sharing his discoveries with his students (Kevin Kenner teaches at Frost School of Music at the University of Miami - Author). He also started performing in a Vyshyvanka (traditional Ukrainian shirt) I gifted him.

Kevin Kenner and his wife Katarzyna Cieślik in Vyshyvankas

The visit of the American pianist and his wife to Ukraine is the fulfilment of Kevin’s promise to Yulia. He promised to visit Kyiv despite the war and play for the Ukrainian people, and also visit Bucha to see the place from which the refugees came to him in Krakow.

- I told Kevin and Kasia a lot about Bucha, and they dreamed of seeing my garden, our house, my library and the books I had been working on. And they fulfilled their promise, though this visit was hard to arrange as musicians of their level have their schedules planned down to the last minute.

Two families in Ukraine

They arrived a day before the concert. Before the visit, I asked Kevin what he would like to taste from Ukrainian cuisine.

Kevin ordered borshch and ate two whole plates. And after we had returned from our tour of Bucha, he asked for borshch again

Kevin also visited Vorzel’ and its «Uvarovsky House» Museum of History and Culture (where Borys Lyatoshynsky’s memorial exposition is located - Author) and even played Lyatoshynsky on the museum piano, paying respects to his favourite composer.

Kevin Kenner confessed that the situation with the war in Ukraine has forced him to become a «soldier of music», as Rostropovich said, and to fight Russian aggression and disinformation.

- I have stopped performing Russian music since the beginning of these terrible events, - Kevin Kenner says. - I also encouraged my students and the musicians I know to replace the pieces of Russian composers in their repertoire with Ukrainian works, which most pianists had never even heard of. Among others, I urged them to pay attention to Viktor Kosenko’s works, whose formidable level makes them worthy to perform worldwide. I think that this is a great opportunity to prove to everyone that Ukrainian music is not inferior, it speaks for itself louder than any words.

Kevin Kenner during his excursion about Lyatoshynsky in Vorzel’, Ukraine

My interest in Ukraine was stirred up by Putin’s assertions of Ukraine not being a legitimate state and that Ukrainian language and culture are supposedly nothing more than shades of much clearer Russian language and culture. These statements have caused a scandal in the world discourse, made me very suspicious and sparked my interest towards learning Ukrainian history and culture.

I supported the decision of the International Music Federation to suspend the International Tchaikovsky Competition. Because it is wrong - applauding the Russian musicians, exalting the Russian music culture, and simultaneously expressing our concern about Russia trying to commit cultural genocide on its neighbour.

«In Poland, I’ve experienced a turning point: I had outlived the old but had not found the new within»

Yulia Berezhko-Kaminska returned home a year after her evacuation from Bucha but she confesses she still dreams about «her» home in Krakow.

- I had been getting used to the bed for so long over there until I bought the same pillow I had at home - before sleep I needed to imagine for at least a moment that I was in my room. And after returning to Bucha, I couldn’t come to my senses for a week: I was thinking of Krakow the whole time. It is now my hometown as well.

Shortly afterwards, the house in Krakow, where Yulia and her children had found shelter, became a centre of Ukrainian culture.

- Kevin and Kasia gave us the opportunity to not just live but to invite Ukrainians over and arrange music and poetry evenings, - the heroine reminisces. - That house has a rather spacious hall with two grand pianos. A month after our relocation to Krakow we began giving concerts and streaming them on Facebook.

One of the house parties in Krakow apartment with the principal of the Polish Institute of Literature Józef Ruszar

I have also written an essay called «Communion»: how we, Ukrainians, having found ourselves in such a difficult life situation, returned to our normal lives thanks to these musical evenings. For a long time, we were afraid to live, drink wine, or even taste candy since we thought it would be a crime against people in Mariupol, who had nothing to eat. Poetry and music pulled us out of this.

Yulia says that there, in the Krakow apartment, she had been born for the second time:

- My «Gravitation of the Word» book was brought to me in Krakow - I sent it into print two days before the war. The book was first presented in Poland but I felt a certain turning point in my art, as if I had outlived the old but had not found the new within. Alongside this, my personal life has also changed- I got divorced during the war, and when I left Ukraine, I met my 40s. It is a turning point for a woman to realise that you are not the way you were before - but what are you now?

In Krakow, Yulia could not write for a while, but then essays began to be born as if ice was melting from her soul.

The first concert with Kenner in Supraśl

In her first essay «Krakow - Bucha» Tram» the woman described her experience and outlined the moments from her return home where the garden would blossom, a dog would jump and a cat would meow from the tree, the animals she had not seen for over a year (they remained with her ex-husband in Ukraine). She visualised how she would run into her room, walk through the whole house, and meet her old life:

- We came back exactly when the garden blossomed, - Yulia smiles. - And the tram that would rumble outside my windows in Krakow (it took a couple of months to get used to the fact that it was the rumbling from the tram, not the war) - I imagined I could get onto it and it would take me home. And when Kevin and Kasia appeared at my doorstep in Bucha, I told them so: «Well, the tram from Krakow to Bucha has arrived!»

Inside Yulia’s house in Bucha

Over the year in Poland, Yulia Kaminska-Berezhko has created several books. The idea behind «The Rhyme War», which included poetry from over 80 Ukrainian poets, was born in Krakow, where it was compiled, wrapped up and presented in May 2024 in Kyiv. The «Ukrainians in Poland: A Rescue Story» book was prepared for print in Krakow, Yulia cooperated with the Institute of Literature of Poland while creating the book. Berezhko has already managed to create a new book with the same institution called «Reflections on the Most Important» - translations of radio performances of modern Polish authors to Ukrainian, made in her edition. Yulia has many cultural plans regarding Poland. After all, someone has to build these cultural bridges between us.

- Today I feel colossally thankful to life. After all I’ve been through, I realise that life - is a big miracle, - Yulia concludes. - And I’m also thankful to Kevin and Kasia, who essentially have given me faith in people and that the good must win.

Photos from the private archive of heroes

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Ukrainian journalist, singer and composer (music came first and still is a part of her life). She began her journalism career by writing for the music magazine «Galas». For many years, she worked as a cultural columnist for the newspaper «KP in Ukraine» and also had experience as the editor-in-chief of the «Atelier» magazine. In recent years, she was a music critic for the publication Vesti.ua, and with the start of the full-scale war, she found her niche as a journalist in the genre of social reporting.

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Photographer Evgeniy Maloletka interview

After photographer Evgeniy Maloletka, videographer Mstyslav Chernov and fixer Vasylysa Stepanenko managed to escape the Russian-encircled Mariupol in mid-March 2022, their footage from the first 20 days of the occupation caused a massive global reaction.

Today, Evgeniy Maloletka holds more international and national awards than any other Ukrainian photographer - around 40. Notably, he is a Pulitzer Prize laureate for Public Service, a recipient of the James Foley Award for Conflict Reporting, and the Shevchenko and Georgiy Gongadze national prizes. He also won an Oscar for the documentary «20 Days in Mariupol». We spoke with Evgeniy about the feelings of futility when facing human indifference, the people who helped him escape from occupation, his ambitions to make it into history books and the strategies he uses to avoid burnout.

Evgeniy Maloletka. Photo from a private archive

«Camera does not protect you»

Kseniya Minchuk: How did you start photographing the war?

Evgeniy Maloletka: Although I have a degree in electronic devices and systems engineering, photography captivated me during my student years. I worked for several editorial offices. In 2010, I went to cover the protests in Belarus. After that, I documented both sides of our revolution: the protests for and against Yanukovych, and then Maidan. I worked in conflict zones around the world, including various UN missions in Africa. Eventually, I found myself on the train that brought me to the war.

I am originally from Berdyansk. When I looked at the map and saw Russia intensifying its actions, I realised that a full-scale war was inevitable. And when you understand that something terrible, like war, is about to happen, you ask yourself: «Where do I want to be, and what do I want to do? Where do I need to be to make that happen?» Although when that «terrible» thing arrives, plans can break. But at the very least, you should be technically prepared, which is what I did.

From there, the most important thing is your knowledge and your ability to adapt quickly. The more you know and the faster you react, the more you can accomplish.

- One of the most heart-wrenching photos by Evgeniy Maloletka, and of the war in general, is the series from Mariupol where young parents rush to the hospital with their injured baby, only to learn that the child has died. It is unimaginably devastating. How do you cope with the pain you witness and capture with your camera? Is photography itself a method?

- Definitely not. The camera does not protect you. You keep looking at these people in the photos and you go through it with them. The faces of the parents, and later the doctors - you see the hope fade from their eyes... and that pain never leaves you, it stays with you forever. I live with it. Constantly. I had to learn how to coexist with it.

Photo: Evgeniy Maloletka/AP Photo

The footage from «20 Days in Mariupol» - is the pain that will stay with me for the rest of my life. I saw it live. I have rewatched the film many times, and now I do not cry anymore. But inside, the emotions are still incredibly heavy and intense.

For me, every photo of the war is the most terrifying. They are like flashbacks, like a dream. Like something that happened to someone else. But no - it happened to me.

I am constantly confronted with grief. I have to edit, show it to the world, look at the photos of other photographers. Human bodies, destroyed buildings, lives taken. These emotions are overwhelming. And there is still so much more horror I will have to capture.

Sometimes the things you did not capture are more terrifying

What keeps me going is the awareness that I am doing a small, yet important job. Hoping that it is not in vain. That the world will see it, remember it, because every photograph represents a human story. And it is crucial that we ourselves do not forget our own history. That is why I keep doing it.

Ukrainian soldiers crying next to their comrade’s grave, 2023. Photo: Evgeniy Maloletka/Associated Press/East News

- You have documented the protests against Yanukovych that led to his removal, the pandemic and now the war. Do you see your work as an important mission?

- Sometimes it is disappointing when photos get little attention. But other times, a story I captured goes viral. The more you work and the more your photos are seen and elicit a reaction, the stronger the sense that it is not in vain.

At least, I hope it is not.

I understand that only the things we remember will remain in history

We will remember people’s stories through the photos and videos that moved us. Only a small part of what has happened during this war will make it into history.

I hope the work we are doing will end up in books and textbooks so future generations can learn what our people went through and understand what war really is.

February 19th 2014, Maidan in Kyiv. Photo: Evgeniy Maloletka

- Do you feel any satisfaction from what you do?

- That is a tough question. Yes and no. Because I photograph horrifying things that people do not want to see. And you force them to look. People, especially outside Ukraine, in Europe for example, mostly want to see positive things. Even here, we tend to think like that. If the strike hit the house next door and not ours - thank God! But in that neighbouring house, people died...

- Have there been moments when you could not bring yourself to photograph what was happening?

- Of course. There were times when I put the camera down and helped because no one else was around. If you see that you can help in some way, you do it.

«We went through 16 Russian checkpoints, and they let us through each one»

- You arrived in Mariupol an hour before the war started. Did you understand what you were getting into?

- Yes. It is impossible to predict every detail, but Mstyslav Chernov, Vasylysa Stepanenko and I knew that the city would likely be encircled. We went to Mariupol deliberately, to be surrounded. Consciously.

Of course, it was terrifying. We travelled at night, and it was eerily quiet and tense. We prepared for various scenarios and even joked that we were heading to the city that would become one of the starting points of World War III...

- How often were you under fire in Mariupol?

- Constantly. I would wake up in the morning at the hotel and go outside to film the building across the street because it had just been destroyed. There was no need to travel anywhere.

- You worked without electricity, water, the internet, and under constant danger. What decisions saved your lives?

- We were lucky in many ways, but some specific decisions and people truly saved our lives. There were tough moments when we barely escaped from areas that the occupiers had already surrounded.

For a while, we lived in a hospital that sheltered us. We became friends with the doctors, sleeping in the corridors where everyone had moved to avoid the shelling, and when necessary, we helped carry stretchers with the wounded. Then the building next to us was taken by the Russians. Tanks rolled out onto the streets. Their forces advanced, and aircraft were deployed. Street fighting raged around the hospital, and we were inside. Then our military came for us and said, «Pack up, we are running». And we ran with them. That saved us.

With Mstyslav Chernov and medics from the Mariupol hospital. Photo: private archive

Another instance was when we finally got out of the encircled area, but I lost my car - it was destroyed. A police officer named Volodymyr offered to drive us out of Mariupol. He risked his life and the lives of his family to take us in his car, even though we had met just two days earlier.

His car was shot up, the windows were gone, but it was still drivable. He, his wife, and their child took the three of us (myself, Vasylysa, and Mstyslav) into their vehicle. And that is how we got out.

- Vasylysa told me this story, and I still can not grasp how you managed to pull it off…

- We passed through 15 or 16 Russian checkpoints, and at each one, they let us through. The occupiers had only just begun implementing their filtration process. Perhaps it helped that we did not take the same route as others. The truth is, you never know exactly what saved you. But if the Russians had found the footage we shot or realised we were Ukrainian journalists, we all would have suffered - us, and Volodymyr with his family.

One warrior does not make a battle

- There is a concept known as «survivor’s guilt», a feeling often experienced by those who fled the war and went abroad. Did you feel something similar when you escaped Mariupol?

- We thought about why we could not stay longer, especially because we did not capture the events at the drama theatre, where so many people died... But the fact that we survived at all - that is a miracle.

Kherson resident in her house flooded after the Kakhovka dam explosion on June 6th 2023. Photo: Evgeniy Maloletka/Associated Press/East News

- Vasylysa mentioned her fear of going to Mariupol, and that your and Mstyslav’s confidence inspired her. Is it easier to work in a team or alone?

- There is a saying, «One warrior does not make a battle». I am convinced of that. In difficult circumstances, you need to be with people you trust, who are on the same wavelength as you.

If, God forbid, you get injured, you need to have your people by your side, who know what to do. Mstyslav had significant experience working in war zones, and I had some experience in our own war.

In the summer of 2021, I took a course in first aid. I already knew how to apply tourniquets and do other essential things, but refreshing those skills is critical when you live in a country at war. Life taught me how to act during shellings.

Vasylysa and I started working together about a month before the full-scale invasion. Before Mariupol, we actually tried to talk her out of going. But she made her choice because she wanted to be with us. She took the risk. She is brave.

- Who inspires you?

- Mstyslav, Vasylysa and I inspire each other. But above all, I am inspired by our people.

Ukrainians are incredibly strong. They have suffered so much from the war, but they do not give up. I often see soldiers who have been wounded but have not lost their immense life potential and energy. For example, there is a soldier who underwent about 60 surgeries and had both limbs amputated. He says: «It’s nothing. I have my whole life ahead of me». He is undergoing rehabilitation and can now walk up the stairs by himself. His goal is to «get his two kids on their feet». How can you not be inspired by that?

Ukrainian man taking out the remaining glass in a window with his bare hands after a Russian shelling, Shakhtarsk, 2014. Photo: Evgeniy Maloletka/AP/East News

My grandmother worked until she was 82, until her last day. She was an engineer and had been disabled since childhood due to polio. Despite having a severe disability, she went to work every day. It was hard for her to climb to the third floor, but she did it. She always said that you can not just sit or lie down, that you have to keep moving. After the full-scale invasion began, my parents had to leave their home and became internally displaced. But my father did not fall into depression or anything like that. Even at over 60, he continues to work.

I do not want to sound pretentious, but what is the point of life if you are only doing everything for yourself? I realise that in war, it is those who care who show up. And I never want to stop caring

For me, it is important not to stand aside. To take part in something that matters.

It is also crucial not to burn out. We are in the middle of a long marathon, and we need to maintain the pace to make it to the end - without losing strength or the sense of why we are doing it.

- But how? What helps you with that?

- It is a difficult period right now. I try not only to photograph but also to help my colleagues, especially young talented photographers, develop. That inspires me too.

Evgeniy at the World Press Photo 2023 Awards in Amsterdam, standing in front of his photograph of the Mariupol maternity hospital bombing. Photo: private archive

- Are there any photographs that make you feel joyful and happy?

- Of course. I love taking pictures of my son. Watching him grow, mature and just seeing how cool he is.

- What can each of us do to help achieve victory?

- We should all do what we do best. Every day. How else? Some people fight, some make drones, others protest abroad, and we do journalism. It all matters. Every action. Every person.

20
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Evgeniy Maloletka: «We came to Mariupol on purpose, to get surrounded»

Kseniya Minchuk
Military Tetyana Bondarenko

Tetyana Bondarenko is an actress. Before the full-scale invasion, she played at the Kyiv theatre on Mykhailivska St., acted in episodical roles in movies, translated English content for Ukrainian TV channels, worked as a lab assistant in the scientific research laboratory at the Borys Grinchenko University. On February 24 2022, her life, like the lives of millions of Ukrainians, changed completely. During that time, when many were already leaving Kyiv, Tetyana came into the recruiting office with a strong intention of joining the Territorial Defence. She has been fighting since Autumn 2022. At first as a shooter in the infantry, now - as a drone operator. Tetyana with the codename «Bond» told Sestry about her life at war, her motivation and battling sexism on the frontlines.

Photo: Kateryna Kozinska

Making the recruitment office listen

- The plan to join the Armed Forces of Ukraine actually formed even before the full-scale war, - Tetyana says. - In 2014, when the fighting in Donbas broke out, I came to the «Kozatsky» hotel on Khreshchatyk St., where volunteers were being recruited, and said that I wanted to join one of the battalions. The recruiter looked at me with apparent scepticism: «And who are you? A medic? Cook?» «An actress» - I replied.

I think he threw away my application the moment I left the hotel. Since that day, I was often haunted by thoughts that I was doing nothing while someone else was protecting the country. And at the beginning of 2022, I had no doubt about the imminence of a full-scale invasion and decided to apply to the Territorial Defence in January. I considered it to be a good way to, firstly, prepare myself for the war, and secondly, learn to handle weapons, which would be useful in my career as an actress (I have always wanted to play strong and belligerent women).

The full-scale war began when I already collected all the necessary documents for the Territorial Defence - the only thing left was for me to write a short autobiography. Having heard the first explosions outside my window, I began writing it at once - and at 9 AM I was on the spot with all the required papers.

Women do not belong here

- People often ask me when I was really scared during the war. And so I think that it would be the moment I was first given a weapon, having no idea how to use it. I was horrified of doing something wrong… Our first target practice took place on March 8th. It is an important date for me as a feminist - a day of women’s struggle for their rights. Being at a training ground that day with a weapon in hand, I felt that I was doing what I had to.

- When in particular did you end up on the frontlines?

- This did not happen immediately. At first, I was stationed at a checkpoint near Kyiv. We spent the whole Spring learning combat tactics, explosives and more. Before long we went to the combat zone but stayed in reserve for a while, 3-4 kilometres away from the battles. Our company was sent to the frontlines specifically at the end of October 2022. Then a situation happened that became a great disappointment to me.

There were only two women in my company: me and a combat medic. And we were the only ones to not be sent «to die» until the last minute. The commander of the unit we were in proclaimed stubbornly: «We do not take women to the frontlines!». While half of the men in our company were laid off at the trench digging stage in reserve: there were many people 40+ years of age in the Territorial Defence, and some strained their backs, for some problems with the joints or blood pressure «appeared». As a result, only 35 people went to the line which was supposed to be «held» by 70 people. The female medic and I, who were prepared and motivated, were not engaged because of the fact that we were women.

Our unit’s leader tried to convince the commander of the air assault company that I and my comrade could fight but he said: «Alright, you can take them with you. But if they are going to start crying the next day, you are going to be at fault»

But they did not take us anyway. When wrote a report to the commander, he sent my comrade to a field hospital and me to a different company, whose positions were easier. He said I have to stay there for a while at first, and then if I manage it, I could come back to my company. Unfortunately, my company did not stick around for me to come - the enemy literally destroyed it, only three people were unharmed. The rest - all «WIA» and two «KIA». Then, I told my mother that it would not be an enemy’s bullet that would kill me in this war but instead sexism that becomes absurd, and stupidity shown by my own people.

By gender

- What do you think is the reason for sexism?

- This is, unfortunately, our culture. 90 per cent of people in the army are yesterday’s civilians. This is a kind of section, a mirror of society, in which 70 per cent of men single-mindedly refuse to see an equal in a female. They think in stereotypes indoctrinated since their childhood, like: «The man is a defender, the woman is a caretaker». I think if they admit that women are strong, smart and can perform the same tasks as them, their worldview would crumble. If women are decent soldiers, it turns out that men are not exclusive in their heroism.

- What methods are effective in fighting sexism?

- I often see how some girls try to be kind and gentle in hopes that it would help establish good relationships with their comrades. Thinking that if they act like a girl, they would soon start acting like gentlemen. I have not seen this strategy work even once.

Personally, I have a strong reaction towards any signs of sexism. I am not afraid of being hated. At least I will be heard. And by the way, I am on good terms with most of my comrades. Thankfully, there are some reasonable people.

Sexism presents itself in many forms, most of the time in offensive comments or jokes toward women. And, in my opinion, men often underestimate women’s role in civil life during the war, when it is the women especially on whom the responsibility to care for the children and the elderly lies - and there are no medals, awards or prizes for this.

I even conducted a survey among my comrades - what would they choose: staying home alone with children like their wives or going to war. The overwhelming majority chose the second option.

One time, the wife of one of my comrades thanked me - she said that after speaking with me, her husband became more considerate of her «invisible» home duty

As for fighting sexism coming from the management, you can, for example, report it, which is what I do. But this might not always be effective, as orders like «We do not take women to the frontlines» are not documented on paper. They are given in verbally, and proving that the reason for you not being accepted somewhere was particularly sexism is difficult.

I am not an infantry soldier anymore, I am a drone operator - there is much less sexism in this area. Here I am allowed to participate in any operations with no questions, but I do know a girl, for instance, who was not allowed to take part in combat missions just this Winter. A lot depends on which management you will end up under. Which is truly absurd, since the army has a catastrophic lack of people.

But commanders continue dividing people by gender. For me, it is the same as segregating people by, for example, eye colour: «We do not send blue-eyed people to the frontlines because they are tender». I can not think of a single war task that a woman could not handle.

A machine gun is a quite heavy weapon but we all know successful female machine gunners. My comrade, a combat medic, received her call sign «The Ant» for carrying the injured twice her size out of the battlefield. The difference between a man and a woman is only that a woman does not have the right to make a mistake. If a man makes a mistake - it is normal, happens to everyone. But when a woman does it, she will immediately hear that her place is not in the war.

What women want

- The girls on the frontlines point out issues with female military uniform…

- In my battalion female uniform is unheard of. My physique is more or less boy-like, with small breasts, which allows me to wear a male uniform, tunics and T-shirts. There was a girl with a curvy shape in our unit, to whom the men’s body armour became a real problem. And even then, she was told she just did not know how to wear it.

The reality is that girls are forced to buy female uniforms themselves. The underwear provided is also only men’s. AFU’s pants are not suited for women’s thighs, they are uncomfortable in combat. That is why I bought a «British» uniform back in 2022 - the pants are much wider there, and I also purchased a women’s plate carrier and plates myself.

- Women’s everyday life is also connected with other difficulties - for example, painful periods. How do you manage this problem?

- In this matter, I got lucky once again because everything goes on relatively painless. I know girls who experience this much harder but they perform their duties and do not complain. And personal hygiene items can be changed even in blindages and on the frontline - it is enough to ask your male comrades to turn away. When the situation is that people can not leave the trenches for multiple days, they are even forced to relieve themselves into jars or bags, and this concerns both men and women.

It is not the time to die

- You literally burst into the fight, to the frontline. Are you not afraid?

- Obviously, there is a fear. I strive for combat but it does not mean I will be running under enemy fire and putting myself in danger on purpose. Last year, I was on the very combat line, when the enemy was 200 metres away from us and bullets really were flying over my head day and night. You sit in a blindage, look deep into the darkness and realise that an enemy grenade could land before you even see the enemy. In these moments you act on adrenaline - and this adrenaline does not let go of you for some more time after arriving at a relatively safe place.

You are exhausted and exhilarated at the same time because you realise: you went through hell and lived. There are moments when it really is a miracle you survived. I recall a situation when the enemy was shelling us with artillery, and our observation posts were in a ravine on the slope of one of the hills. We were hiding there in dugouts, dug by the Russians (it was impossible to dig new ones due to the constant presence of enemy drones).

At that time, I had a small individual dugout. The likelihood of a direct hit on our dugouts was low - it was quite difficult to hit them. And then I had a conflict with the company commander, and he sent me «into exile» to a control observation post (COP) - a place between the frontline and the permanent deployment point. Another soldier replaced me at my position. So, I was sitting at the COP and heard on the radio that a tank was shelling our positions. The next message was that there was one «KIA». It turned out that a hit landed near my dugout, a fragment pierced the roof, and the comrade who was in my dugout died on the spot...

- What helps you cope?

- Talking to my mom and friends. It is important to have people you can share your feelings with. Cigars also help to relieve acute stress. Not cigarettes, but cigars specifically; I learned to smoke cigars while in the Territorial Defense. This year, I sought help from a psychologist and I already feel a positive effect. Motivation also helps me to hold on.

- How can you outline it?

- When the full-scale invasion happened, I felt like I had been slapped. My country, my Kyiv, was hit so brazenly and deceitfully. I wanted to retaliate once and for all against the one who dared to do this. That is exactly what I am doing now.

Despite all the difficulties I face, I will defend this country because it is mine. While at war, I discovered Ukraine’s East for myself - unbelievably beautiful and now dear places to me.

As a feminist, I am used to standing up for my boundaries, defending my rights. The same is true here - I am defending my right to be myself in my country, defending its and my own independence.

And even if something were to happen to me, I would be peaceful, as I was fighting for a noble cause.

Photos from the heroine’s private archive

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